Whether at the park, the mall, or on a play date with my children, I frequently hear parents commanding their kids, “You need to share!” Or, they go out of their way to praise their child when they do share, “You shared your toy so well!” Continue reading
First time writer/director Josh Boone brings us a charming, not-so-rosy but emotionally rewarding drama, Stuck in Love, about a family of writers. Thematically, the movie manages to cover the gamut of love in its various states and stages — and with a refreshing dose of authenticity.
Greg Kinnear and Jennifer Connelly play a divorced couple, and Kinnear’s character is vying to win back his ex-wife’s affection while also having an affair with a married woman (Kristen Bell). This is accomplished, not with cynicism, but grace and understanding. This situation is crazy enough that it is funny but believable, thanks in part to Kinnear’s strong and subtle performance. Continue reading
The one-hour fifteen minute documentary Men at Lunch pretty much delivers on its promise: to explore the many facets of the famous 1932 photograph of eleven iron workers eating lunch atop the skyscraper at 30 Rockefeller Center in New York while it was under construction.
Corbis, which bought the photo some years ago and collects its licensing fees, says it is the best selling image in its archive.
The documentary creates some mystery around the photo, enough to maintain a compelling narrative for most of the film, although the last act does drag as it explores who some of the individual 11 men in the photo were. Continue reading
The story follows several sex addicts in various phases of their lives: from a the recovered turned mentor who is still married to his wife, to the newbie addict who is forced to deal with his addiction because of a court order. As we follow these characters’ lives, one thing becomes clear: there is absolutely nothing sexy about about sex addiction. Continue reading
Robert Redford’s The Company You Keep is one of those quiet mystery / thriller types of movies Hollywood should be making more of. What makes it so compelling is the structure of the script and how it untangles the mystery at hand.
The big secret to its formula is this: there is always another, bigger mystery.
When questions are raised in the beginning about the character played by Redford, you think you’re being set up for an entire feature length adventure to find the answer. But when the answer comes twenty minutes or so later, it is not only satisfying to get the answer, but in doing so it raises a slew of other questions that in themselves seem like enough to sustain the remainder of the film. But they, too, are answered in time, and the process continues and repeats. Continue reading